December 4, 2024<December 5, 2024 Interview: Meet Igmar Thomas, Proud Music Director of the Revive Big Band & Many Major Acts As Well by Josh Weiner
December 4, 2024<December 4, 2024 Feature: Aisha Badru Hones Her Message of Hope, Healing, & Wellness on ‘The Sun Still Rises,’ a Therapeutic Folk-Pop Journey by Mitch Mosk
December 3, 2024<December 3, 2024 “I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album by Mitch Mosk
December 3, 2024<December 3, 2024 Interview: Pom Pom Squad’s ‘Mirror Starts Moving Without Me’ Is an Explosive Reckoning in Female Authenticity, Intersectional Identity, and the Modern Music Scene by Rachel Leong
December 2, 2024<December 2, 2024 Interview: Jacob Cummings Bids a Beautiful Farewell to His Childhood in Sparkling New Record ‘Southern & Enlightened’ by Rachel Leong
November 27, 2024<November 27, 2024 Interview: Amy Jay Is Back, and She Brought Billy Joel’s Heartache With Her by Blake McMillan
November 27, 2024<November 27, 2024 “I deserve to be in the room”: mxmtoon on Agency, Family, and Womanhood in ‘liminal space’ by Rachel Leong
November 22, 2024<November 22, 2024 Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce by Mitch Mosk
November 22, 2024<November 22, 2024 Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut by Mitch Mosk
November 21, 2024<November 21, 2024 “Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream by Mitch Mosk
November 21, 2024<November 21, 2024 “I’m just a really pure person”: WILDBERRY Speaks on Creative Virtues, the Ubiquity of Love, & Debut Record ‘AGAPE’ by Isabella Le
November 19, 2024<November 19, 2024 Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’ by Mitch Mosk
November 19, 2024<November 19, 2024 Interview: George “Funky” Brown of Kool & The Gang Achieves a Profound Posthumous Send-Off With ‘Where I’m Coming From’ by Josh Weiner
November 15, 2024<November 15, 2024 Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’ by Mitch Mosk
November 14, 2024<November 14, 2024 Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’ by Mitch Mosk
For the Love of Music
For the Love of Music
