November 21, 2024<November 21, 2024 “I’m just a really pure person”: WILDBERRY Speaks on Creative Virtues, the Ubiquity of Love, & Debut Record ‘AGAPE’ by Isabella Le
November 21, 2024<November 21, 2024 Nostalgia Tracks: Labi Siffre’s “Bless the Telephone” Is the Perfect Love Song by Audrey Connelly
November 21, 2024<November 22, 2024 Review: Michael Kiwanuka’s ‘Small Changes’ Is a Quiet Departure From His Big Sound by Liv Goodbody
November 21, 2024<November 21, 2024 Premiere: flipturn Shine Bright & Burn Out on “Sunlight,” an Explosive Confrontation With Untended Emotional Wounds by Guest Writer
November 20, 2024<November 27, 2024 Atwood Magazine’s Weekly Roundup: November 20, 2024 by Atwood Magazine Staff
November 20, 2024<November 20, 2024 “Stand tall, show no fear”: The Slow Readers Club Channel Angst, Urgency, & Hope into “Technofear,” an Anthem Born of Modern Chaos by Mitch Mosk
November 19, 2024<November 19, 2024 Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’ by Mitch Mosk
November 19, 2024<November 19, 2024 Interview: George “Funky” Brown of Kool & The Gang Achieves a Profound Posthumous Send-Off With ‘Where I’m Coming From’ by Josh Weiner
November 19, 2024<November 19, 2024 Nieve Ella, the GOAT of Grunge Indie Pop, Arrives With “Ganni Top (She Gets What She Needs)” by Brianna Corrine
November 18, 2024<November 18, 2024 “Born to be young and reckless”: Basking in the Heat of Never Ending Fall’s Cinematic Heartbreak Anthem “ISABEL” by Mitch Mosk
November 16, 2024<November 16, 2024 Today’s Song: Contemplations on Life’s Demands With Cornelia Murr’s “Meantime” & “How Do You Get By” by Marc Maleri
November 15, 2024<November 15, 2024 Today’s Song: Belfast Trio Chalk Unleash a Combustible Post-Punk Storm in “Tell Me” by Mitch Mosk
November 15, 2024<November 15, 2024 Live Review: Celebrating Love, Attitude, & Tenderness with Duff McKagan in Los Angeles by Emma Schoors
November 15, 2024<November 15, 2024 Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’ by Mitch Mosk
November 14, 2024<November 14, 2024 Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’ by Mitch Mosk
For the Love of Music
For the Love of Music
