November 28, 2024<December 3, 2024 Atwood Magazine’s Weekly Roundup: November 28, 2024 by Atwood Magazine Staff
November 28, 2024<November 27, 2024 “Crawling up the walls”: Brighton’s Roman Joon Debuts With Fresh, Urgent, & Exhilarating “Call It What You Want” by Mitch Mosk
8.7 November 27, 2024<November 27, 2024 Our Take: Wallice’s ‘The Jester’ Is an Eclectic Portrayal of Life and Striving to Reach Our Dreams by Frankie Rose
November 27, 2024<November 27, 2024 Interview: Amy Jay Is Back, and She Brought Billy Joel’s Heartache With Her by Blake McMillan
November 27, 2024<November 27, 2024 “I deserve to be in the room”: mxmtoon on Agency, Family, and Womanhood in ‘liminal space’ by Rachel Leong
November 27, 2024<November 26, 2024 Today’s Song: Liang Lawrence Bares Her Heart in “Kiss My Apocalypse,” a Dreamy & Dramatic Indie Pop Love Song by Mitch Mosk
November 26, 2024<November 26, 2024 Today’s Song: Inhaler’s “Your House” Is Gospel for the Nonchalant by Brianna Corrine
November 25, 2024<November 25, 2024 Today’s Song: yeule’s “eko” Will Be Bouncing Around Your Head for Days by Haley Mitchell
8.1 November 25, 2024<November 25, 2024 Our Take: A Revamped Linkin Park Start ‘From Zero’ and Finish With a Thrilling Comeback Album by Josh Weiner
November 24, 2024<November 27, 2024 “I’m in a slump and I can’t wake up”: The Heartrending Weight of Maria Kelly’s Intimate, Delicate, & Aching Indie Folk “Slump” by Mitch Mosk
November 23, 2024<November 23, 2024 “Now is the time for me to get what I want”: The Quiet Confidence of Kim Deal’s “A Good Time Pushed” by Stephanie Bento
November 22, 2024<November 22, 2024 Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce by Mitch Mosk
November 22, 2024<November 22, 2024 Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut by Mitch Mosk
November 22, 2024<November 22, 2024 Father John Misty Knows Which Side of the Record His Album ‘Mahashmashana’ Is Buttered On by Josh Bloom
November 21, 2024<November 21, 2024 “Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream by Mitch Mosk
For the Love of Music
For the Love of Music
