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Frederick Bloy

Frederick Bloy

The Theatreship © Frederick Bloy
Columns, Music, Sounds From the GroundNovember 4, 2024<November 4, 2024

Sounds From the Ground: The Theatreship, London, 12 October 2024

Xiu Xiu's Jamie Stewart (R) and Angela Seo (L) © Eva Luise Hoppe
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024

“Music is essentially an infinite puzzle”: Jamie Stewart Discusses the Inimitable Sounds of Xiu Xiu

the whaler - Home Is Where
Music, Reviews, Track-by-TrackAugust 15, 2024<August 14, 2024

Track-by-Track: Home Is Where’s ‘the whaler’ Is a Lifetime of Damnation, Lived Again, and Again, and Again…

Adam Bosarge © 2024
Interviews, MusicJuly 31, 2024<July 31, 2024

“A little gem only they know about”: Adam Bosarge Discusses His Growing Portfolio of Maximalist ‘Little Gems’

Animal Collective "Defeat" © Hisham Akira Bharoocha
Columns, Music, Today's SongJuly 14, 2024<July 10, 2024

Traversing the Labyrinth of Animal Collective’s “Defeat,” and Seeing How Much Has Changed By the End

Vampire Weekend © Michael Schmelling
Columns, Music, Today's SongJune 25, 2024<June 25, 2024

Today’s Song: Connecting What Was, to What Is… or Trying to, With Vampire Weekend’s “Connect”

Recent Posts

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  • Roundtable Discussion: A Review of Kendrick Lamar’s ‘GNX’ December 20, 2024
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  • Atwood Magazine Presents Mistletones: 2024’s Best New Holiday Songs, Pt. 2! December 18, 2024
  • Atwood Magazine’s 2024 Songs of the Year December 18, 2024
  • Today’s Song: Melbourne’s Hannah McKittrick Cuts Like a Knife in “Utensil,” a Softly Stirring Alt-Rock Upheaval December 17, 2024
  • Atwood Magazine Presents Mistletones: 2024’s Best New Holiday Songs, Pt. 1! December 16, 2024
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